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Composition: Duet
Participation: 50%-79%
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pental
Missa "Au travail suis" Kyrie Johannes Ockeghem
pental
2:32 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 11 0 2 6 92%
Superius Treble 14 0 3 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 11 0 2 6 92%
Superius Treble 14 0 3 6 92%
Tenor Bass 13 0 1 6 90%
Bassus Bass 13 0 1 5 69%
 
Under the Greenwood Tree Ivor Gurney
pental
1:45 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 55 11 6 90%
Bass 29 33 11 5 92%
Voice Treble 19 0 9 6 68%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 55 11 6 90%
Bass 29 33 11 5 92%
Voice Treble 19 0 9 6 68%
 
C'est l'extase Fauré
pental
2:42 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 33 76 18 7 87%
Bass 34 50 17 5 72%
Voice Treble 17 0 11 8 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 33 76 18 7 87%
Bass 34 50 17 5 72%
Voice Treble 17 0 11 8 91%
 
Brahms_Johannes_-_5_Lieder_Op.47_No.1_-_Botschaft
pental
2:16 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 28 46 7 5 100%
Bass 33 30 10 5 100%
Singstimme Voice Treble 14 0 5 5 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 28 46 7 5 100%
Bass 33 30 10 5 100%
Singstimme Voice Treble 14 0 5 5 79%
 
Cornelius_Peter_-_6_Lieder_Op.5_No.5_-_Zum_Ossa_sprach_der_Pelion
pental
2:22 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 23 10 6 96%
Bass 30 29 14 5 74%
Voice Treble 13 0 5 6 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 23 10 6 96%
Bass 30 29 14 5 74%
Voice Treble 13 0 5 6 76%
 
Missa "Au travail suis" Benedictus Johannes Ockeghem
pental
1:34 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 13 0 2 6 71%
Tenor Bass 13 0 2 7 68%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 13 0 2 6 71%
Tenor Bass 13 0 2 7 68%
Superius Treble 9 0 2 5 50%
Altus Treble 7 0 0 7 48%
 
Missa "Au travail suis" Gloria Johannes Ockeghem
pental
4:17 Est. Play
Time
128 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 13 0 4 9 75%
Superius Treble 14 0 4 6 73%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 13 0 4 9 75%
Superius Treble 14 0 4 6 73%
Tenor Bass 11 0 0 6 70%
Altus Treble 13 0 4 8 67%
 
Missa "Au travail suis" Sanctus Johannes Ockeghem
pental
2:08 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius Treble 10 0 3 7 82%
Altus Treble 11 0 1 6 78%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius Treble 10 0 3 7 82%
Altus Treble 11 0 1 6 78%
Bassus Bass 14 0 2 6 73%
Tenor Bass 9 0 1 6 67%
 
Holms_Augusta_Mary_Anne_-_Les_Sept_Ivresses_No.1_-_LAmour
pental
2:56 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 38 11 8 75%
Treble 36 20 17 8 96%
Chant Voice Treble 19 0 10 9 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 38 11 8 75%
Treble 36 20 17 8 96%
Chant Voice Treble 19 0 10 9 90%
 
Hilsen (Gruss) Edard Grieg
pental
1:00 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 39 9 4 100%
Bass 34 26 7 4 92%
Voice Treble 14 0 5 6 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 39 9 4 100%
Bass 34 26 7 4 92%
Voice Treble 14 0 5 6 73%
 
Brahms_Johannes_-_5_Lieder_Op.47_No.3_-_Sonntag
pental
1:50 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 16 26 2 3 91%
Bass 19 10 2 5 96%
Singstimme Voice Treble 10 0 0 4 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 16 26 2 3 91%
Bass 19 10 2 5 96%
Singstimme Voice Treble 10 0 0 4 80%
 
Morgen- Richard Strauss op.27 N°4
pental
3:26 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 24 4 7 100%
Bass 26 11 5 7 100%
Voice Treble 11 0 2 7 55%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 24 4 7 100%
Bass 26 11 5 7 100%
Voice Treble 11 0 2 7 55%